I firmly believe that the part of the dream ‘making good films’ is to make them with good
people – as it’s in this process of making where I truly feel at home.
For me, filmmaking is a shared journey built on trust, curiosity, and time spent understanding one another. Stories grow through conversations, silences, and honest disagreements.
When people feel respected and free to experiment, the work gains depth and truth. Collaboration turns sets into homes, where effort is collective, mistakes become lessons, and the process matters as much as the finished film, keeping the dream alive Always!
Biography
Filmmaker, editor, and occasional tabla enthusiast – theatre-trained and delightfully unconventional, I believe every story deserves a creative spark and a healthy dose of quirk. Born into a Military family and raised across different parts of India, I honed my storytelling craft in Delhi University’s street theatre scene before cinema completely hijacked my attention.
My editing debut came with the Academy Award-nominated, Filmfare-winning Amazon Prime documentary “Cinema Marte Dum Tak” – a title that accidentally became my life philosophy. From thereon, I dove into directing India’s hottest roast show, “Pretty Good Roast Show” while building my editorial portfolio with Netflix’s “The Great Rivalry” alongside Stephen Moore (Two-time BAFTA winner) and Viacom18’s comedy mockumentary series “Shanti Bhavan”. But it was January 2025 that marked my fiction debut with the psychological horror thriller “Ten Past Two” – a 26-minute psychological thriller, that’s currently running in festivals and collecting numerous laurels, including Best Director and Best Editor wins.